literature

The Rooms

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Daily Deviation

Daily Deviation

July 10, 2011
The Rooms by ~spring-cleaning-time is such an odd little story. The author does an excellent job of grounding an unusual concept with solid narrative, making it a delight to read.
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Suggested by angelStained
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Literature Text

Everyone carries a room about inside him. This fact can even be proved by means of a sense of hearing.

Roger Samson, for example, though nominally on a city bus, was in fact located in a small windowless home office, to which the door was quite soundproof. His doctor had recommended that he get hearing aids, but Roger remembered the days of parchment-thin walls, and to these he was not anxious to return.

Thus Gloria Wibble had been quite unsuccessful in trying to get his attention.

"Excuse me, sir, would you be able to move your backpack? There aren't any other seats."

Roger, on the bus, bristled and opened his eyes; Roger, in the office, removed his headphones and tore himself away from the game of Flight Simulator in which he was perpetually engaged. There had been a knock on the door, and it was growing quite insistent.

"Oh, here, yes, of course," he mumbled, opening the door to his clean quiet office by means of the left backpack strap. He sat the lumpy object down at his feet and once again the door was closed (he saw that his plane had crashed, but no matter; Flight Simulator, unlike the extra-office aspects of his life, always provided him with the option to start over).

Having seen Roger securely back into the recess of his office, Gloria sat down beside him and retreated to her own, except her office was not, in fact, an office. It was the roulette gallery of a casino, as anyone with eyes could see-- Gloria's eyes resembled nothing if not giant roulette wheels themselves: there always seemed to be something spinning within them. Gloria was currently playing her hand at the gumbo-recipe game-- where on earth had she put it? She needed it for the potluck tonight, and she was going for broke. At stake: her reputation as an appreciable or even adequate housewife (gumbo was the only decent thing she knew how to make). All the numbers on the wheel (fifteen spaces in all) were backgrounded by pictures of places-- the glove compartment of her car, her recipe rolodex (too risky a bet), her copy of Scrapbooking for Dummies, her son Robbie's lunchbox, etc. Where had she last seen it? She wracked and wracked, wringing her hands, aggravating the testy casino attendant. Finally she placed her bet on 11, or "the kitchen counter behind the dishwashing detergent," and spun the wheel. It revolved for several minutes and the numbers blurred before her-- "Make it stop!" she yelled at the attendant-- but it wouldn't, and she exited the casino in a daze, determined to return when she got home. By then it surely would have landed somewhere, she thought, and only then would she be able to collect her winnings... or not.

Gloria nudged her foot, and on the other side of her little Andrew Grier was booted out of a tipi-- he was young, and still allowed to migrate between rooms, having yet to find the one that belonged to him. Back on the bus, seated next to the lady with the crazy eyes, he sensed in the bliss of childhood that his only challenge was to find a new room to occupy. On his travels he came upon a room with a solid, metal door, which the scent of the crazy-eyed lady allowed him to enter: she smelled like wilted flowers, like the ones in the vases his mother left out for too long. In the room, which was sterile and filled with bubbling test tubes and vials, Andrew found a lab coat, goggles, and notebook. It seemed that the mad scientist who was working here had stepped out for lunch. No matter; Andrew could continue his work for him until he returned. In the notebook Andrew found a secret: for every person in the world, there was a perfume that would cause him (or her) to respond in a certain way, to act precisely as the mad scientist wanted him to. By brewing this set of perfect perfumes, the mad scientist could control every person's every action, and thereby RULE THE WORLD! Even Andrew had to cackle at the genius of this evil plan, for perhaps, if he found the next few perfumes, the mad scientist might let him rule the world sometimes too, at least on weekends.

Clearly, the lady with the crazy eyes had already been taken care of.

Next on the list was the bus occupant across from Andrew, a scrawny old man with tufts of ear hair and a snuffling snore. Andrew scoffed. Easy-peasy. The scientist had carefully notated that this man could be driven into a state of frenzy by one thing: peanut brittle. All Andrew had to do was mix up some crushed brittle particles with a few essential oils and voilà!-- the malevolent mixture itself was born in a fountain of bubbles and a test tube that rapidly cycled through the colors of the rainbow, finally culminating in an irresistible peanutty tannish-orange. Andrew smiled as the man jolted awake (outside the scientist's chamber, the bus had hit a bump, but Andrew knew the truth).

Scrawny Alexander Wasserman looked about in surprise-- peanut brittle? He thought he had smelled it, he could almost taste it, or perhaps it was just the remnants of the cashews he had eaten this morning; either way, he could swear he had caught a whiff of those tantalizing blocks-- did someone on the bus have a bag, and more importantly, would the person be willing to share? He looked to his left, to no avail. He looked to his right, and--

Transformation.

In that moment Alexander Wasserman discovered that Sleeping Beauty did not live in a castle and her bed was not obstructed by a thicket of thorns. She lay dreaming right next to him, and the only obstruction was his own self-consciousness, which manifested itself in a blush.

She had a copy of "1000 Nutty Confections" in her hand, and her head was covered with perfectly-set, unicorn-white curls.

Alex began to sweat. Perhaps her castle was surrounded by thorns after all-- who was he to wake her? What if she grumbled, what if she found him rude or unsavory? Even worse, what if she didn't think he was handsome? What if he tried to win her and simply failed? Surely that would be the worst result of all.

Time passed slowly on the bus, making Alexander even more conscious of the fact that he did not have a room, at least not at the moment. He had lost the key to his room long ago, when his son had been killed in a war. The bug-catching meadow in which he had spent his spare moments had withered and died, now that its other occupant had become too far removed and too painful to visit. From then on, Alex had spent his downtime in a state of painful agitation, forever stuck in the literal present. Only sleep, and peanut brittle, could bring him relief.

However, it began to dawn on Alex that it had at last come time for him to seek a new room. He was done with the perpetual sadness, done with not having a place to be content. In fact, he had been searching for this room for a long time, and here was the opportunity, in front of him, if he could find the room in which the sleeping princess lay.

But alas, the bus was approaching his stop; there were only two stops to go between Hartford Street and Brooklane, the location of his apartment. Time was running out. What to say, oh what to say? How to wake her so that she would at once recognize him as smart, funny, and kind, her true love meant to be? And what if she was married?-- but he didn't see a ring. Think, Alex, think!

The driver announced the next stop: "Talbot Street, everyone for Talbot Street." The bus inched to a halt.

In his contemplation of her general splendor, Alex noticed something about his love which caused him alarm. At her feet was a tote bag printed with the words "Talbot Street Market." And she was carrying a recipe book. And she was sleeping. Perhaps she had meant to go shopping; what if she should miss her stop?

In a great fit of valiant anxiety, Alexander slashed at the final vestiges of thicket and reached for the key to the princess's chamber. He touched her left hand, and what a beautifully soft and graceful left hand it was.

The chamber door opened with the princess's eyes.

"Excuse me, are you getting off at Talbot Street? I saw your bag, and thought this might be your stop."

Her face melted into a glow at the sight of her prince.

"Why thank you, sir, I was just on my way to the market to get some sugar because I'm making peanut brittle tonight; you see, my grandchildren are coming over tomorrow and--"

The doors of the bus began to close.

"Oh dear, it seems I've missed my stop after all," she said, and the pool blue eyes misted over with disappointment (or perhaps Alex was only imagining such tender sensitivity). He had not removed his hand from hers.

"It's no matter. What do you say we get off at the next stop, and I escort you?"

"That would be lovely." She smiled and looked modestly at her dainty white sneakers.

Thus Alex Wasserman found his next room, which was almost as lovely as the room he would physically occupy that night, a kitchen brimming with the smell of peanut brittle. Of course, by that time, Andrew Grier had moved on to concoct his next scent, as the mad scientist had never returned, and his labor became Andrew's lifelong obsession (he was never the same afterward). Gloria Wibble was collecting winnings in the form of compliments on her now-famous gumbo. And Roger Samson, as one might imagine, was still playing Flight Simulator.

How about you?
Edit: The final version of this piece can be found here!

So I found this really cool literary magazine called The Caterpillar Chronicles , which accepts submissions in categories based on prompts rather than simple poetry, short stories, flash fiction, etc. Pretty neat, huh? One of the prompts is to use provided first lines to write a short story:

We accept short stories (1500-2000 words) that begin with the following first line and continue in an appropriate tone and style. The quote selected for the next issue is:

"Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing."
(Franz Kafka, The Blue Octavo Notebooks)


I started thinking about the mental places people go when they're not really doing anything, and how these dream-rooms can be triggered by the things we sense, and this story was the result. I would like some critique on it before I submit it... I have a little time, since the deadline is July 25th. And yes, I do know it's obscenely long for dA. Whatevs.

---
Questions for the people over at :iconthewrittenrevolution::
1.) Do you think the story continued "in an appropriate tone and style" from the first lines, as per the prompt?
2.) Did it interest you/was it fun to read?
3.) Did you find the way I approached the concepts of mental vs. physical space confusing? Is there anything I could have done to make it less so?
4.) Was Alexander's section too choppy?
5.) The beginning and the end: I am not a title thinker-upper. Is there a better one you could think of? And how did you like the ending question?

I know that's quite the tall critique order, so feel free to just approach the questions which seem most pressing to you. Thanks in advance :)

My critique for the group is here
© 2011 - 2024 spring-cleaning-time
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dragonartist22's avatar
I LOVE THIS. It's an incredible peice, and extremely original.
And, damn, it would make a really cool graphic novel snippet.